A Different Man

2024
Directors: Aaron Schimberg
Starring: Sebastian Stan, Renate Reinsve, Adam Pearson

Sebastian Stan, who is one of my favorite actors, ventures deep into unconventional territory with “A Different Man,” undergoing a transformative medical procedure to resemble… well, Sebastian Stan. Yet, this journey provides a fascinating look at how changing external appearances doesn’t necessarily alter inner struggles.

Echoes of “Seconds,” John Frankenheimer’s 1966 thriller starring Rock Hudson, resonate in the narrative of this film. Like Hudson, Stan navigates complex roles, balancing his Marvel persona with intricate projects like “A Different Man,” “Fresh,” and “I, Tonya.” His willingness to delve into unconventional characters, even producing this film, highlights a commitment to artistic exploration.

Under layers of convincing prosthetics, Stan portrays Edward, a man with severe facial disfigurement. Director Aaron Schimberg crafts a dark comedy that avoids patronizing Edward, portraying him as meek and flawed—a stark contrast to cinematic tropes that glorify disability. The film’s Super 16mm cinematography evokes ’70s New York indies, complementing its Woody Allen-esque humor.

Renate Reinsve, known for “The Worst Person in the World,” injects vibrant complexity as Ingrid, Edward’s spirited neighbor. Their evolving relationship blends humor and tension, navigating power dynamics but with unpredictable outcomes.

After an innovative new procedure has him shedding his disfigured guise, Edward rebrands as Guy, a suave real estate agent. But despite his newfound allure, his insecurity is still there, portrayed with poignant continuity by Stan. Adam Pearson shines as Oswald, sharing Edward’s former condition with radiant confidence, contrasting sharply with Edward’s turmoil.

Composer Umberto Smerilli’s rich score enriches Edward’s journey, balancing torment with a subtle nod. “A Different Man” offers a thought-provoking exploration of identity and acceptance, anchored by Stan’s fearless portrayal and Schimberg’s nuanced direction.

Isabella Jordan